The list of speakers, presentation titles, and the three-day schedule of talks can be found here.
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KEYNOTE
Fifty Years and Counting: A Retrospective of Costume Conservation at the Canadian Conservation Institute (CCI) / Janet L. Wagner and Renée Dancause; Canadian Conservation Institute, Ottawa, Canada
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“Pasado de Moda: Historias de una Colección”: Soluciones de Montaje para una Exhibición de Vestuario en el Museo Histórico Nacional (Santiago, Chile) / Isabel Alvarado, Mabel Canales, and Emilia Müller; Museo Histórico Nacional, Santiago, Chile
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Spotlight on the Spattered Jama: Examination and Conservation of the Jodhpur Court Ensemble at the Victoria and Albert Museum / Annabelle Camp and Ekta Sunil Raheja; Victoria and Albert Museum, London, UK
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Preparation of a Tengujo Adhesive Support for Use on Painted Silk / Chuance Chen; Heritage Conservation Centre, Singapore
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The Role of a Significance Assessment in the Replacement of Plastic on a Stephen Sprouse Dress / Kris Cnossen; The Metropolitan Museum of Art, New York City, USA / Annika Blake-Howland; National Park Service Historic Architecture Conservation and Engineering Center, Lowell, USA / Amanda Holden; Indianapolis Museum of Art at Newfields, Indianapolis, USA
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The Devil is in The Details: Adventures in Mannequin Production from CNC Router to Dress Form / William Donnelly, Heather Hansen, Heather Hodge, Gabrielle Intenzo, and Katherine Sahmel / Winterthur Museum, Garden & Library, Winterthur, USA; Katya Roelse and Brooks Twilley / University of Delaware, Newark, USA
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Strike a Pose: The Overhaul of Fiberglass Mannequins and their Mounts / Emily Freese, Amanda Holden, and Erinn Bessler; Indianapolis Museum of Art at Newfields, Indianapolis, USA
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Degrading Fashion: Long-Term Anoxic Storage Solutions for Synthetic Materials in The Metropolitan Museum of Art’s Costume Institute / Kaelyn Garcia and Christopher Mazza; The Metropolitan Museum of Art, New York City, USA
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Deep in the Woods with “Couture Fantasy”: How One Institution Fought its Own Demons and Installed a (Post-Pandemic) Record-Breaking Show / Laura Garcia Vedrenne, Amy Andersson, Erin Algeo, and Mike Lai; Fine Arts Museums of San Francisco, USA
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Facets of Feathers in a Fashion Collection: Case Studies in Storage in the Costume Institute at the Metropolitan Museum of Art / Bethany Gingrich and Shelly Tarter; The Metropolitan Museum of Art, New York City, USA
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Chinese Dress in Detail / Elizabeth-Anne Haldane and Nora Brockmann; Victoria and Albert Museum, London, UK
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Membrane Metal Threads and Deteriorated Silk: The Conservation Treatment of a Unique 13th – 14th Century Aumônière from the Cathedral of Como, Italy / Kristal Hale; Tracing Patterns Foundation, Berkeley, California, USA
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Printing Lace: Evaluating Visual Compensation Treatments for Bleach Damaged Lace / Heather Hodge; Preservation Society of Newport County, Newport, USA
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Bringing Costume to Life: Exhibiting the Mary D. Doering Costume Collection / Neal Hurst and Jacquelyn Peterson-Grace; The Colonial Williamsburg Foundation, Williamsburg, USA
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Around the World in 80 Ways: Conservation of Elizabeth Hawes’ Geographic / Chandra Obie Linn; The Cincinnati Museum of Art, Cincinnati, USA
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La Conservación de la Parka Karakoram y la Chaqueta Skyliner creadas por Eddie Bauer / Iliana E Lopez Salado; Práctica privada, Seattle, EUA
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Assessing Costume Storage: A Collaborative Approach / Sara Ludueña; Colonial Williamsburg Foundation, Williamsburg, USA
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Safe, Lower Cost Techniques for Displaying Historic Clothing / A. Newbold Richardson; The Costume and Textile Specialists, Alexandria and Richmond, USA
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Repatriating Chief Crowfoot’s Regalia from Exeter, UK to the Siksika Nation: Considerations from a Cultural and Conservation Point of View / Gail Niinimaa; Niinimaa Enterprises Inc. Calgary, Canada / Sasheen Wright; Blackfoot Crossing Historical Park, Siksika Nation, Canada
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Problematic Heels: The Identification, Characterization and Treatment of TPU Top Pieces in the Museum at FIT’s Collection / Callie O’Connor; The Museum at FIT, New York City, USA
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Piecing Together the Past: Reconstructing a Closed Front Sacque Gown / Margaret O’Neil; Winterthur/University of Delaware Program in Art Conservation Class of 2023, Wilmington, USA / Laura Mina; National Museum of African American History and Culture, Washington, DC, USA / Katherine Sahmel; Winterthur Museum, Garden & Library, and Winterthur/University of Delaware Program in Art Conservation, Wilmington, USA
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Starch Struck: Preliminary Investigations into Factors Impacting the Wet Cleaning of Starched Textiles without the Use of Enzymes / Anna F Robinson; University of Glasgow, Glasgow, Scotland
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An Overview of Shrinkproof Wool Treatments / Isabella Rossi; Rossi Conservation, Scotland, UK
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Towards a New Consideration for the Wearing of Historic Costume / Sarah Scaturro; Cleveland Museum of Art, Cleveland, USA
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An “Olympe-ic” Marathon: Technical Study and Adhesive Stabilization of a Madame Olympe Ensemble / Elizabeth Shaeffer; The Metropolitan Museum of Art, New York City, USA
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Black Culture Made Visible: The Challenge of Mounting Garments without Contributing to Prejudice / Joel Stephenson; Museum of Fine Arts Boston, Boston, USA
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Moving Mannequins / Chris Swan; Colonial Williamsburg Foundation, Williamsburg, USA
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Racing to the Finish: Dynamic Mannequins Riding Historic Machines! / Zenzie Tinker and Ania Gołębiowska; Zenzie Tinker Conservation Ltd., Brighton, UK
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Fashioning Masculinities: The Art of Mannequins / Lilia Prier Tisdall; Victoria and Albert Museum, London, UK
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Collaboration and Creativity in the Curatorial Practice and Mounting Solutions for the McCord Stewart Museum’s Exhibition Parachute: Subversive Fashion of the ‘80s / Alexis Walker and Caroline Bourgeois; McCord Stewart Museum, Montreal, Canada
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New Meets Old: Using Modern Materials to Stabilize a 19th Century Military Hat / Meredith Wilcox-Levine; Textile Conservation Workshop, South Salem, USA
