The list of speakers, presentation titles, and the three-day schedule of talks can be found here.
----------
KEYNOTE
Fifty Years and Counting: A Retrospective of Costume Conservation at the Canadian Conservation Institute (CCI) / Janet L. Wagner and Renée Dancause; Canadian Conservation Institute, Ottawa, Canada
----------
“Pasado de Moda: Historias de dna Colección”: Soluciones De Montaje para una Exhibición de Vestuario en El Museo Histórico Nacional (Santiago, Chile) / Isabel Alvarado, Mabel Canales and Emilia Müller; Museo Histórico Nacional, Santiago, Chile
--
Spotlight on the Spattered Jama: Examination and Conservation of the Jodhpur Court Ensemble at the Victoria and Albert Museum / Annabelle Camp and Ekta Sunil Raheja; Victoria and Albert Museum, London, UK
--
Preparation of a Tengujo Adhesive Support for Use on Painted Silk / Chuance Chen; Heritage Conservation Centre, Singapore
--
The Role of a Significance Assessment in the Replacement of Plastic on a Stephen Sprouse Dress / Kris Cnossen; The Metropolitan Museum of Art, New York City, USA / Annika Blake-Howland; National Park Service Historic Architecture Conservation and Engineering Center, Lowell, USA / Amanda Holden; Indianapolis Museum of Art at Newfields, Indianapolis, USA
--
The Devil is in The Details: Adventures in Mannequin Production from CNC Router to Dress Form / William Donnelly, Heather Hansen, Heather Hodge, Gabrielle Intenzo, Katya Roelse, Katherine Sahmel; Winterthur Museum, Garden & Library, Winterthur, USA / Brooks Twilley; University of Delaware, Newark, USA
--
Strike a Pose: The Overhaul of Fiberglass Mannequins and their Mounts / Emily Freese, Amanda Holden, and Erinn Bessler; Indianapolis Museum of Art at Newfields, Indianapolis, USA
--
Degrading Fashion: Long-Term Anoxic Storage Solutions for Synthetic Materials in the Metropolitan Museum of Art’s Costume Institute / Kaelyn Garcia and Christopher Mazza; The Metropolitan Museum of Art, New York City, USA
--
Deep in the Woods with “Couture Fantasy”: How One Institution Fought its Own Demons and Installed a (Post-Pandemic) Record-Breaking Show / Laura Garcia Vedrenne, Amy Andersson, Erin Algeo, and Mike Lai; Fine Arts Museums of San Francisco, USA
--
Facets of Feathers in a Fashion Collection: Case Studies in Storage in the Costume Institute at the Metropolitan Museum of Art / Bethany Gingrich and Shelly Tarter; The Metropolitan Museum of Art, New York City, USA
--
Chinese Dress in Detail / Elizabeth-Anne Haldane and Nora Brockmann; Victoria and Albert Museum, London, UK
--
Membrane Metal Threads and Deteriorated Silk: The Conservation Treatment of a Unique 13th-14th Century Aumônière from the Cathedral of Como, Italy / Kristal Hale; Tracing Patterns Foundation, Berkeley, California, USA
--
Printing Lace: Evaluating Visual Compensation Treatments for Bleach Damaged Lace / Heather Hodge; Preservation Society of Newport County, Newport, USA
--
Bringing Costume to Life: Exhibiting the Mary D. Doering Costume Collection / Neal Hurst and Jacquelyn Peterson-Grace; The Colonial Williamsburg Foundation, Williamsburg, USA
--
Around the World in 80 Ways: Conservation of Elizabeth Hawes’ Geographic / Chandra Obie Linn; The Cincinnati Museum of Art, Cincinnati, USA
--
La Conservación de la Parka Karakoram y la Chaqueta Skyliner creadas por Eddie Bauer / Iliana E Lopez Salado; Práctica privada, Seattle, EUA
--
Assessing Costume Storage: A Collaborative Approach / Sara Ludueña; Colonial Williamsburg Foundation, Williamsburg, USA
--
Safe, Lower Cost Techniques for Displaying Historic Clothing / A. Newbold Richardson; The Costume and Textile Specialists, Alexandria and Richmond, USA
--
Repatriating Chief Crowfoot’s Regalia from Exeter, UK to the Siksika Nation: Considerations from a Cultural and Conservation Point of View / Gail Niinimaa; Niinimaa Enterprises Inc. Calgary, Canada / Sasheen Wright; Blackfoot Crossing Historical Park, Siksika Nation, Canada
--
Problematic Heels: The Identification, Characterization and Treatment of TPU Top Pieces in the Museum at FIT’s Collection / Callie O’Connor; The Museum at FIT, New York City, USA
--
Piecing Together the Past: Reconstructing a Closed Front Sacque Gown / Margaret O’Neil; Winterthur/University of Delaware Program in Art Conservation Class of 2023, Wilmington, USA / Laura Mina; National Museum of African American History and Culture, Washington, DC, USA / Katherine Sahmel; Winterthur Museum, Garden & Library, and Winterthur/University of Delaware Program in Art Conservation, Wilmington, USA
--
Starch Struck: Preliminary Investigations into Factors Impacting the Wet Cleaning of Starched Textiles without the Use of Enzymes / Anna F Robinson; University of Glasgow, Glasgow, Scotland
--
An Overview of Shrinkproof Wool Treatments / Isabella Rossi; Rossi Conservation, Scotland, UK
--
Towards a New Consideration for the Wearing of Historic Costume / Sarah Scaturro; Cleveland Museum of Art, Cleveland, USA
--
An “Olympe-ic” Marathon: Technical Study and Adhesive Stabilization of a Madame Olympe Ensemble / Elizabeth Shaeffer; The Metropolitan Museum of Art, New York City, USA
--
Black Culture Made Visible: The Challenge of Mounting Garments Without Contributing to Prejudice / Joel Stephenson; Museum of Fine Arts Boston, Boston, USA
--
Moving Mannequins / Chris Swan; Colonial Williamsburg Foundation, Williamsburg, USA
--
Racing to the Finish: Dynamic Mannequins Riding Historic Machines! / Zenzie Tinker and Ania Gołębiowska; Zenzie Tinker Conservation Ltd., Brighton, UK
--
Fashioning Masculinities: The Art of Mannequins / Lilia Prier Tisdall; Victoria and Albert Museum, London, UK
--
Collaboration and Creativity in the Curatorial Practice and Mounting Solutions for the McCord Stewart Museum’s Exhibition Parachute: Subversive Fashion of the ‘80s / Alexis Walker and Caroline Bourgeois; McCord Stewart Museum, Montreal, Canada
--
New Meets Old: Using Modern Materials to Stabilize a 19th Century Military Hat / Meredith Wilcox-Levine; Textile Conservation Workshop, South Salem, USA
