Lessening the Loss: Investigating Cleaning Methods for Early Synthetic Dye Bleeding / Livi Andreini and Laura Maccarelli, Los Angeles County Museum of Art, Los Angeles, USA; Ana Albano Serrano and Maarten van Bommel, University of Amsterdam, Amsterdam, The Netherlands
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Discovering the “Unfinished”: Historical and Technical Study of a Late 18th-century Fabric Embroidered à la Disposition from The Costume Institute Collection / Margherita Barone, Metropolitan Museum of Art, New York City, USA
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A Collaborative Renewal: A Weaver’s Journey with a Textile Conservator / Sarah Benson, National Museum of Sweden, Stockholm, Sweden
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Mission Preservation: The Analysis and Treatment of an 18th-century Painted Silk Vestment from Mission San Luis Rey / Annabelle Camp, Balboa Art Conservation Centre, San Diego, USA
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What Should We Do with a Damaged Sail? Conservation at the Crossroad of Tangible and Intangible Preservation / Clothilde Castelli, Museé du quai Branly-Jacques Chirac, Paris, France; Emmanuelle Cadet and Issa Dia, Alter Natives, Montreuil, France
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A Balancing Act: Navigating the Spectrum of Loss Compensation in Textile Conservation / Renée Dancause and Janet L. Wagner, Canadian Conservation Institute, Ottawa, Canada
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Resumption and Revival: Filling Research, Training and Exchange Gaps at The Textile Museum / Maria Fusco, George Washington University Museum and The Textile Museum Washington DC, USA
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Flexible Hydrogels: An Investigation into Possible Applications for Textile Conservation / Lois Glithero, The National Trust, Norwich, UK; Joanne Hackett, The University of Glasgow, Glasgow, UK
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Changing for the Better: Data-driven Dialogue to Manage Light Induced Color Change / Gretchen Guidess and Jacqueline Peterson-Grace, Colonial Williamsburg, Williamsburg, USA
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Collaborative Reparative Efforts to Address Lost and Context and Misinterpretation: Conservation and Presentation of pre-Hispanic Andean Textiles at the Krannert Art Museum / Stephanie E. Hornbeck, Allyson Purpura, Kasia Szremski, and Fiorella Lavado, Krannert Art Museum, Champaign, USA
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From Studio to Stage to Display: Uncovering Hidden Stories with Ballet Russes Performance Costumes at the National Gallery of Australia / Michelle Hunter, National Gallery of Australia, Canberra, Australia
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Archival Materials as Primary Source Evidence in the Conservation of Historic Costume / Sonia Kata, McCord Stewart Museum, Montreal, Canada
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Conserving Objects of Use: The Treatment of a Catholic Canopy and Other Case Studies for ICA-Art Conservation / Marika Kesler, Ethnographic and Asian Art Museums of the Staatliche Museen zu Berlin, Berlin, Germany
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Unangax̂ Basketry: Conservation and Reconnecting with Community / Darian LaTocha, Aleutian Pribilof Islands Association, Anchorage, USA; Sarah Owens, Interwoven Fibers LLC, Anchorage, USA
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History of Banff Centre Weaving Program and Impact on the Textile Arts / Mary-Beth Laviolette, Independent Art Writer and Critic, Canmore, Canada
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Carving Out the Past: Making Replica Buttons Using Traditional Techniques / Aisling Macken, National Maritime Museum, London, UK
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Weave Again After Death. Reweaving of Lacunae in a Pre-Hispanic Textile / Luisa Mainou, Judith Gómez, and Rocío Gaona, National Department for the Conservation of Cultural Heritage and National Institute of Anthropology and History, Mexico City, Mexico
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“Huangping Green”: Old Traditions with New Materials in Miao and Dong Costume / Gennifer Majors, George Washington University Museum and The Textile Museum, Washington DC, USA
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Disguising Loss to Tell the Tale: The Reintegration of Damaged Images on Two Narrative Textiles / Bernice Morris, Philadelphia Museum of Art, Philadelphia, USA
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Altering Alterations: The Identification and Treatment of Altered Regency Gowns (1795–1825) / Margaret O’Neil, Philadelphia Museum of Art, Philadelphia, USA
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Going with the Flow: Using Paraprint as an Alternative for Wet Cleaning Fragile Textiles or Those with Water-Sensitive Elements / Emma Pattinson, Stella Gardner, and Yufei Xiang, National Museums of Scotland, Edinburgh, UK
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Documentation, Analysis and Treatment of Two Early 19th-century American Mourning Samplers / Lucinda Pelton, Megan Creamer, Isaac Facio, and Elizabeth Pope, Art Institute of Chicago, Chicago, USA
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To What Extent? The Wet Cleaning of Dominic di Mare’s “Promenade” / Nhat Quyen Nguyen, Philadelphia Museum of Art, Philadelphia, USA
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Woven in the Archives: The Restoration of the Constantine Tapestries at the Philadelphia Museum of Art, 1959–1964 / Sara Reiter, Philadelphia Museum of Art, Philadelphia, USA
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Buckle Up and Enjoy the Show: A Restorative Approach to the Conservation of Historic Costume with Missing Fastenings / Jamie Robinson, Zenzie Tinker Conservation, Brighton, UK
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Approaches to the Stabilization of Beadwork / Miriam-Helene Rudd, Metropolitan Museum of Art, New York City, USA; Kate Sahmel, Winterthur Museum, Garden & Library, Winterthur, USA; Laura Mina, National Museum of African American History & Culture, Washington DC, USA
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Preserving Palestinian Heritage: Creating a Textile Conservation Studio in the Occupied West Bank, A Palestinian Museum X Victoria & Albert Museum Collaboration / Katy Smith, V&A Museum, London, UK; Bara Bawatneh and Baha Jubeh, Palestinian Museum, Palestine
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Repair and Reuse: Adapting Previous Field Repairs for the Conservation of ‘Aubie’, Auburn University’s Iconic Sporting Mascot / Howard Sutcliffe, River Region Costume and Textile Conservation, Nashville, USA
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Textile Conservation in Art School Education: Case Studies from the RISD Museum / Jess Urick, Rhode Island School of Design Museum, Providence, USA and Anna Rose Keefe, Isabella Stewart Gardner Museum, Boston, USA
